All That Jazz: 100 Years of Art Deco Jewellery

April 3, 2025

By Claire Roberts

10 min read

There is no era that has continued to resonate throughout history quite so emphatically as the Art Deco age. This wonderfully decadent period of Prohibition parties, glittering cocktail soirées and exuberant Art Deco jewellery, which straddled more than a quarter of a century from 1908 to 1935, had a profound effect on society that touched upon almost every aspect of life in its pursuit of beauty, with the worlds of art, adornment, fashion, interiors, architecture and technology all irreversibly changed as a result.

The name Art Deco derives from the Exposition Internationale des Arts Décoratifs Industriels et Modernes, which was held in Paris in 1925. A landmark exhibition organised by the French government that melded a new modernist style with craftmanship and rich materials, it covered almost 60 acres of central Paris and is credited as being the birthplace of the Art Deco movement. The exposition saw the Art Deco style, which at the time was known as “Style Moderne”, burst on to the world stage, inspiring some of the most iconic jewels in history.

The 1925 Exposition Internationale des Arts Décoratifs in Paris marked the debut of the Art Deco style on the world stage

The 1925 Exposition Internationale des Arts Décoratifs in Paris marked the debut of the Art Deco style on the world stage

In 2025, the Art Deco movement was at its peak in Paris. A century later, join us in celebrating 100 years of Art Deco jewellery as we take a look back at some of the greatest moments in an era defined by modernity, experimentation and bold colour.

The Art Deco jewellery aesthetic

Art Deco refers to the aesthetic that permeated much of the visual and decorative arts between the two World Wars, resulting in a striking design vocabulary that combined clean geometric lines, striking colour combinations and highly stylised decorative elements. In architecture, it manifested itself in towering skyscrapers like the Chrysler and Empire State Buildings, while in the world of jewellery, these design elements were translated in pieces that were often geometric in shape and featured strong colours.

Van Cleef & Arpels ruby, emerald, onyx and diamond Egyptian revival bracelet, from the Van Cleef & Arpels collection

Van Cleef & Arpels ruby, emerald, onyx and diamond Egyptian revival bracelet, from the Van Cleef & Arpels collection

 Daisy Fellowes' Indian-inspired emerald and diamond Van Cleef & Arpels bracelet, 1928

Daisy Fellowes' Indian-inspired emerald and diamond Van Cleef & Arpels bracelet, 1928

 Indian-inspired Art Deco natural pearl, emerald, diamond and onyx bangle by Cartier, circa 1925. Credit: Siegelson

Indian-inspired Art Deco natural pearl, emerald, diamond and onyx bangle by Cartier, circa 1925. Credit: Siegelson

 Daisy Fellowes' iconic Tutti Frutti necklace, designed by Cartier in 1936, is set with carved gemstones from India

Daisy Fellowes' iconic Tutti Frutti necklace, designed by Cartier in 1936, is set with carved gemstones from India

Alongside these classically Art Deco creations emerged other, more exotic jewels, inspired by designers’ travels to far-flung destinations. Borrowing liberally from other cultures, they marked a turning point for 20th-century design, according to Emily Barber, UK Director of Bonhams Jewellery: “Motifs from ancient Egyptian, Assyrian, Persian, Indian, Japanese, Greek and Chinese civilisations were all thrown into the melting pot. Out of this came exquisite jewels that were captivating in their deceptive simplicity, when in fact they were some of the most inventive and impeccably made jewels of the 20th century.”

Inspired by the adventures in India of Jacques Cartier, Cartier’s legendary Tutti Frutti jewels were created in the 1920s

Inspired by the adventures in India of Jacques Cartier, Cartier’s legendary Tutti Frutti jewels were created in the 1920s

The trailblazers of Art Deco jewellery

Throughout the era, there was an intense rivalry between two famous French Maisons whose Art Deco jewels are regarded as among the greatest of all time. The years between the two World Wars were something of a golden age for Cartier, which led the way with its legendary Tutti Frutti jewels. Created in the 1920s, they were inspired by the adventures in India of Jacques Cartier, who, together with his brother Pierre, was responsible for the dazzling success of Cartier at the time, and featured carved sapphires, rubies and emeralds from India. “In the case of Cartier, their place on the world stage was really cemented during this period,” recognises Sarah Duncan, Head of Jewellery at Chiswick Auctions. “Cartier’s Art Deco creations rank among the best out there for sheer imagination.”

In 2020 this Cartier Tutti Frutti bracelet, circa 1930, sold for $1.3 million at a Sotheby's online auction dedicated to jewellery - the highest price paid for any jewel in an online sale at Sotheby's

In 2020 this Cartier Tutti Frutti bracelet, circa 1930, sold for $1.3 million at a Sotheby's online auction dedicated to jewellery - the highest price paid for any jewel in an online sale at Sotheby's

 Cartier Tutti Frutti carved emerald, ruby, sapphire and diamond bracelet. Credit: Christie's

Cartier Tutti Frutti carved emerald, ruby, sapphire and diamond bracelet. Credit: Christie's

Van Cleef & Arpels was also much admired as an innovator par excellence during the 1920s and 30s. Bonhams’ Emily Barber points to a trio of three bracelets, created in 1926, as the perfect example of the Maison’s pioneering spirit. Setting three types of semi-precious stone rather than diamonds – a prerequisite of high jewellery at the time – singled Van Cleef out as a trailblazer. Between the hexagonal cut peridots, citrines and amethysts, small calibré cut gems showcased an exciting new stone-cutting technique developed by Van Cleef & Arpels to create form and texture within a jewel. Even the metal in which the gems were set represented progress. “Unusually, the bracelets were mounted in palladium-plated gold, rather than platinum – the precious metal of choice at the time,” says Barber. “Less costly than platinum, the use of palladium-plated gold, in combination with the semi-precious principal gemstones, signalled a shift towards prioritising design above expense.”

Setting three types of semi-precious stones in high jewellery, rather than traditional diamonds and gemstones, singled Van Cleef & Arpels out as a trailblazer of Art Deco jewellery

Setting three types of semi-precious stones in high jewellery, rather than traditional diamonds and gemstones, singled Van Cleef & Arpels out as a trailblazer of Art Deco jewellery

Both Cartier and Van Cleef & Arpels were prominent exhibitors at the 1925 Exposition Internationale des Arts Décoratifs Industriels et Modernes in Paris, alongside the French Maison Boucheron, whose passion for abstraction came to the fore in the Art Deco era. Other, smaller bijoutiers-joailleriers whose Art Deco creations remain highly collectible today include Suzanne Belperron, Boivin, Jean Fouquet, Lacloche Frères, Gérard Sandoz, Raymond Templier, Paul Brandt, Dausausoy and Paul Flato.

Art Deco jewellery, Raymond Templier style: a black lacquer and diamond brooch, circa 1929. Credit: Christie's

Art Deco jewellery, Raymond Templier style: a black lacquer and diamond brooch, circa 1929. Credit: Christie's

 Important Art Deco emerald, onyx and diamond pendant necklace by Georges Fouquet, 1925. Credit: Christie's

Important Art Deco emerald, onyx and diamond pendant necklace by Georges Fouquet, 1925. Credit: Christie's

 Lacloche Frères Art Deco diamond, emerald and enamel lapel watch, circa 1925

Lacloche Frères Art Deco diamond, emerald and enamel lapel watch, circa 1925

 Gérard Sandoz Art Deco diamond, onyx and rock crystal brooch, 1928. Courtesy of Christies

Gérard Sandoz Art Deco diamond, onyx and rock crystal brooch, 1928. Courtesy of Christies

 A platinum mounted diamond ring by Suzanne Belperron. Paris, circa 1932. Courtesy of Wartski, London

A platinum mounted diamond ring by Suzanne Belperron. Paris, circa 1932. Courtesy of Wartski, London

 Art Deco Bombé diamond cocktail ring by René Boivin, circa 1935. Credit: Fred Leighton

Art Deco Bombé diamond cocktail ring by René Boivin, circa 1935. Credit: Fred Leighton

 Signed Dusausoy Art Deco platinum and diamond brooch, circa 1930. Credit: Symbolic & Chase

Signed Dusausoy Art Deco platinum and diamond brooch, circa 1930. Credit: Symbolic & Chase

Jewellery innovations born in the Art Deco era

Experimentation drove many of the trends in jewellery design during the Art Deco period. One of the most significant was the invention of calibré cut gemstones, which were intricately cut and polished by hand to follow the geometric shapes that featured prominently in jewellery from this era, forming bold borders of colour. Van Cleef & Arpels emerged as the absolute master of this technique, developing the famous Mystery Setting, which placed calibré cut stones side by side to create a mosaic-like surface of colour, with no visible metal in-between. This method of invisibly setting gems remains one of Van Cleef & Arpels’ greatest triumphs, but it is so sophisticated and time-consuming that even today, the Maison only produces a very limited number of Mystery Set jewels each year.

Pearls were readily available for the first time in the 1920s – a look that was immortalised by Gabrielle “Coco” Chanel

Pearls were readily available for the first time in the 1920s – a look that was immortalised by Gabrielle “Coco” Chanel

It was during the Art Deco era that diamond cutters also began to innovate. Alongside the traditional cuts, angular shapes emerged that could be arranged into graphic patterns, including trapezes, half-moons and triangles. The jewellers’ palette of gemstones was also greatly expanded, not only with the intricate carved gems that had arrived from India but also vibrant semi-precious stones, from turquoise and coral to lapis lazuli and black onyx, that provided the bold flashes of colour that were a signature of many Art Deco jewels. The stock market crashed of 1929 did little to dampen this spirit of innovation. Rather, it spurred designers to go bigger and bolder, with extravagant brooches and bracelets featuring heavily in the later years of Art Deco. The concept of convertible jewels that could be worn in multiple ways also found an enthusiastic audience: tiaras that transformed into necklaces or bracelets and pairs of brooches that could be clipped on to dresses or joined together to form a brooch. One of the most significant innovations to reach a wider audience in the Art Deco era was the arrival of cultured pearls. For the first time in history, these lustrous gems were readily available, a look that was immortalised by the one and only Gabrielle “Coco” Chanel. Her strands of pearls, worn fashionable low, became one of the iconic jewels of the 1920s.

Previously owned by Marjorie Merriweather Post, this sapphire and diamond necklace by Cartier,  circa 1936/7, is convertible into a tiara

Previously owned by Marjorie Merriweather Post, this sapphire and diamond necklace by Cartier, circa 1936/7, is convertible into a tiara

 A platinum mounted diamond feather brooch by Van Cleef and Arpels, Paris, circa 1928, showcasing the Mystery Setting

A platinum mounted diamond feather brooch by Van Cleef and Arpels, Paris, circa 1928, showcasing the Mystery Setting

 Van Cleef & Arpels Peony clip, 1937, Mystery Set with rubies and diamonds

Van Cleef & Arpels Peony clip, 1937, Mystery Set with rubies and diamonds

Art Deco jewellery today

The enduring popularity of Art Deco jewellery is evident when you look at its ongoing success at auction, particularly signed pieces created by the top Maisons and designers of the period. In 2019, as part of its Magnificent Jewels and Noble Jewels auction in Geneva, Sotheby’s realised more than US$ 6.1 million for an important sapphire and diamond Cartier bracelet dating from 1927, one of the highest prices ever paid for a bracelet at auction. In April this year, while much of the world was in lockdown due to the pandemic, the auction house broke a record for the highest price ever paid for a jewel in a Sotheby’s online sale when a Cartier Tutti Frutti bracelet sold for US$1.34 million.

Art Deco diamond tiara by Cartier, circa 1930s, from the Estate Of Mary, Duchess Of Roxburghe. Sold by Sotheby's for $2.4 million in 2015

Art Deco diamond tiara by Cartier, circa 1930s, from the Estate Of Mary, Duchess Of Roxburghe. Sold by Sotheby's for $2.4 million in 2015

This important Art Deco Cartier sapphire and diamond bracelet, 1927, was sold by Sotheby's for $6.1 million in November 2019. It was one of the highest prices ever paid for a bracelet at auction

This important Art Deco Cartier sapphire and diamond bracelet, 1927, was sold by Sotheby's for $6.1 million in November 2019. It was one of the highest prices ever paid for a bracelet at auction

I asked some antique experts why they think Art Deco jewellery continues to perform so strongly today. Sarah Duncan of Chiswick Auctions singles out the clean lines and pared-back styling of the Deco period. “They lend themselves so well to contemporary fashions and trends,” she told me. Thomas Holman, Director at Wartski, agrees: “The style has a timeless elegance that chimes so much with 21st century tastes and fashions. A sparkling Art Deco diamond bracelet does not look out of place against the backdrop of a modern-day skyscraper or the sinuous curves of a new car, despite being 100 years old.” Jessica Wyndham, Head of Sotheby’s Jewellery Sales in Europe, credits the sheer breadth of different styles created during this prolific period of creativity: “Whilst there is a common idea of what Art Deco jewels look like, often geometric in shape and monotone in colour, there are so many other variations within the category that everyone can find a style within the Art Deco movement which appeals to them.”

A rare Art Deco natural pearl, emerald and diamond brooch by Van Cleef & Arpels, 1926. Courtesy of Bonhams

A rare Art Deco natural pearl, emerald and diamond brooch by Van Cleef & Arpels, 1926. Courtesy of Bonhams

 An important Art Deco diamond necklace by Boucheron, circa 1930s

An important Art Deco diamond necklace by Boucheron, circa 1930s

 A sensational Art Deco diamond sautoir by Van Cleef & Arpels, 1928. Courtesy of Christies

A sensational Art Deco diamond sautoir by Van Cleef & Arpels, 1928. Courtesy of Christies

 Art Deco emerald, diamond and onyx brooch by Cartier, circa 1920s. Courtesy of Christie's

Art Deco emerald, diamond and onyx brooch by Cartier, circa 1920s. Courtesy of Christie's

At Sotheby’s, Art Deco is the strongest jewellery category, with the group of collectors consistently growing each year, while at Chiswick Auction House it continues to trend very strongly. What fuels this enduring fascination among collectors? Marie-Cécile Cisamolo, Jewellery Specialist at Christie’s, has the answer: “No other period in jewellery design has been so popular since its creation than Art Deco. The height of fashion when it began in the late 1910s, it never wavered. As time has passed, Art Deco jewellery has become increasingly rare and continue to reach new heights at auction.”

Art Deco Jardin Japonais table clock by Cartier, circa 1920s

Art Deco Jardin Japonais table clock by Cartier, circa 1920s

 Jewelled Art Deco cigarette case by Cartier. Courtesy of Chiswick Auctions

Jewelled Art Deco cigarette case by Cartier. Courtesy of Chiswick Auctions

 Gérard Sandoz enamelled silver, lacquer and eggshell cigarette case, circa 1929. Courtesy of the V&A Museum, London

Gérard Sandoz enamelled silver, lacquer and eggshell cigarette case, circa 1929. Courtesy of the V&A Museum, London

 Jewelled Art Deco evening bag by Cartier, circa 1930. Courtesy of Christie's

Jewelled Art Deco evening bag by Cartier, circa 1930. Courtesy of Christie's

 Rare Art Deco gem- and diamond-set mystery clock by Cartier, 1928. Courtesy of Sotheby's

Rare Art Deco gem- and diamond-set mystery clock by Cartier, 1928. Courtesy of Sotheby's

If you are interested in becoming a collector of Art Deco jewellery, the general consensus is: do your homework. Go to see jewellery in public museums – Bonhams’ Emily Barber recommends the V&A in London, which has one of the best historic collections of jewels in the world and many superlative examples from the Art Deco period – and to pre-sale auctions, where you can handle many jewels at different price points. “Buy the very best you can afford within your budget,” Emily recommends. “Go for what you love and you can’t go wrong.”

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