

Transcending Time: Exploring the Enduring Elegance of Diviano
The first time I read the eloquent story behind Jaipur-based brand Diviano, I was absolutely hooked on its romantic, almost whimsical thoughts about how jewellery endures, gathers meaning, and achieves its “relevance quietly over time”. There are so many quotable lines in its mission statement, such as how it “does not exist to respond to trends, algorithms, or seasonal cycles,” and instead chooses to design intentionally, subtly, but with beautifully impactful gemstones and impeccable craftsmanship. When wearing the pieces, I felt this same quiet sense of grandeur seeping into my subconscious; my back was a little straighter and my neck a little more poised. Let me tell you more about this nuanced take on contemporary Indian craftsmanship…
Indian brand Diviano has chosen a path that forgoes the “louder, faster, and increasingly performative” landscape of luxury in favour of intelligent pieces that command attention for the right reasons. The brand doesn’t believe that a piece of perfectly composed jewellery should have to battle for attention. Rather, it draws admiring glances for its artistry, timelessness, and the way it makes a woman shine. Having worn some of its more elaborate pieces in recent months, I can say they did make me feel a certain way… ‘regal’ is the closest word I can think of to describe the sensation.

Katerina Perez with Yash Hirawat and Aditya Hirawat of Diviano
A Bold Expression
Diviano was founded by Dinesh Hirawat in 2015 along with his sons, Yash Hirawat and Aditya Hirawat, whom I had the pleasure of meeting on a visit to India earlier this year. Their focus is on one-of-a-kind creations and high bridal jewellery, evocative of the Indian cultural style, but with their own contemporary twist. According to the House: “Diviano represents a new generation of high jewellery houses, confident in origin, restrained in expression, and rigorous in intent. It is a House built not for immediacy, but for continuity. Its creations are made to be inherited. To be remembered. To become part of a longer cultural memory, waiting patiently for the moment they are fully understood.”
What this means in practice is jewels that function more like art objects. They can be worn, undoubtedly, but they have a bold, expressive and richly detailed presence that is not for the faint of heart. Diviano calls it a “maximalist design language,” which cleverly avoids the trappings of disproportion or gaudiness. At the design stage, a decision is made as to whether a piece deserves to exist not only in the present but also decades into the future. If it feasibly won’t be coveted by your grandchildren or your grandchildren’s grandchildren, it likely won’t make it off the bench at Diviano’s atelier in Jaipur!
Diviano rings and earrings from the Plume Collection, featuring a proprietary sequential layering of marquise-shaped gemstones in a three-dimensional layout
Gemstone Personalities
At the heart of the House lies its passion for coloured gemstones, especially Zambian and Colombian emeralds, Burmese rubies and carefully selected Mozambican rubies, all with stellar clarity, richness and depth. Another phrase that struck me was that gemstones must “exist in dialogue with one another,” which goes some way toward explaining the brand’s approach to stone selection. Rather than selecting individual, investment-worthy gems, Diviano curates considered groups of minerals that work in harmony and feel like the start, middle and end of a story. I think a great example of this is a ravishing diamond, emerald, and pink sapphire necklace from the Diviano One collection, set with 36 carats of diamonds, 139 carats of old (and therefore unrepeatable) Russian emeralds, and 175 carats of pink sapphires in two remarkably weighty rows.
One Vision
Of course, this is a singular example from the Diviano One collection, which is bursting with never-to-be-copied masterpieces. Many of the designs under this umbrella take years to reach completion, whether that’s due to the challenges of sourcing the right gemstones, refining the design or making multiple iterations before the final jewel is deemed complete. As Yash Hirawat tells me: “It’s a slow, deliberate process, constantly asking how the piece can be improved and how it can feel more meaningful to the person who will wear it.”
The collection is centred largely around high-end necklaces, each with its own distinct point of difference. For example, there’s a sensational choker necklace with a 37-carat carved Colombian emerald, a four-carat Ceylon sapphire, and 130 carats of perfectly colour-matched pink sapphires, all set in 18k white gold, as well as a Belle Epoque-style necklace with diamond-set bows connecting 150 carats of trillion-cut tanzanites. Many of these pieces wouldn’t look out of place in the glass cabinets of a museum, hence why Diviano describes them as intentional heirlooms created for long-term value.

Katerina Perez wears a matching suite from the Diviano One Collection, including a necklace with 37 carats of carved Colombian emerald, 4 carats of Ceylon sapphires, 130 carats of pink sapphires, and 65 carats of rose-cut diamonds
Signature Craftsmanship
I think we would all agree that Indian jewellery has a strong aesthetic point of view. However, we don’t always think of India as setting the benchmarks for innovations in craftsmanship or technique. Clearly, this is an unfair and outdated assumption, and Diviano is on a mission to change perceptions. “For us, it was important to demonstrate that craftsmanship from India can stand confidently on the global stage, not by imitation, but through precision, patience and depth of making,” says Aditya Hirawat.
This philosophy underpins the House’s signature techniques, such as the Plume setting – a proprietary sequential layering of marquise-shaped stones in three-dimensional layouts to create impressive structure and volume. You can see this technique brought to life in a beautiful emerald and diamond necklace, set with pendulums of two-tone emeralds, cut through with white diamonds, and interjected with delicate chandelier-like droplets of beryls.

Katerina Perez wears a necklace and matching earrings from the Diviano Plume Collection, featuring a proprietary three-dimensional layout of marquise-cut emeralds and diamonds, set in 18k white gold
Each stone is placed in relation to the next, not to mirror it, but to complement it. No two stones are asked to behave the same way; each is allowed to shine differently.
There’s also the Lamella technique in which rose-cut gemstones are drilled and individually articulated, allowing each stone to overlap the next in precise succession. My favourite example of this is a sensational pink sapphire, diamond and ruby ring, featuring juicy, caviar-like ruby beads, pear-shaped diamonds and shoulders set with overlapping petals of rose-cut sapphires that shimmer with light.
Passion Projects
As each piece is such a labour of love, Diviano does not produce in abundance. According to the House, its production “remains intentionally limited, not as a statement of exclusivity, but as a matter of integrity”. Its opinion is that scaling the volume of its output would mean making compromises on quality, and that isn’t something the House is willing to do. Certainly, I admire this approach, and the firmness with which it stands by its principles of “quiet consistency”, especially in an age when commerciality plays such a big role in business. Striking the right balance and not being tempted to stray off the path is difficult, yet Diviano is holding firm.
Only Time will Tell
Diviano believes there is a responsibility in producing high jewellery art. This isn’t just a responsibility to its clients who are investing in precious pieces for themselves and future generations, but also to the wider landscape of jewellery (and Indian jewellery) to further its reputation among collectors and aficionados.

Katerina Perez wears unique High Jewellery masterpieces from the Diviano One Collection, including a necklace with 37 carats of carved Colombian emerald, 4 carats of Ceylon sapphires, 130 carats of pink sapphires, and 65 carats of rose-cut diamonds
This attitude feels more important than ever as brands compete with automobiles, watches, wines, art, couture fashion, and handbags for the attention of luxury shoppers. As Yash and Aditya conclude: “What matters to us is not just how a piece looks at first glance, but how it holds together over time. The balance, the construction, the stones, everything needs to feel right, both visually and structurally. Our aim is to create jewellery that still feels relevant decades from now, pieces that can be passed down and still feel current, considered, and valuable.”

WORDS
Katerina Perez is a jewellery insider, journalist and brand consultant with more than 15 years’ experience in the jewellery sector. Paris-based, Katerina has worked as a freelance journalist and content editor since 2011, writing articles for international publications. To share her jewellery knowledge and expertise, Katerina founded this website and launched her @katerina_perez Instagram in 2013.






























